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Kyle Gann
Hyperchromatica

Release Date: March 23, 2018

Catalog Number: OM 1025-2, 2-CD Set

Available Formats: CD, Digital Download

List Price: $23

Composer: Kyle Gann

Performer: Kyle Gann

Conductor: N/A

Orchestra/Ensemble: N/A

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Recording Notes

On his latest recording, Hyperchromatica, Kyle Gann expands on Conlon Nancarrow’s work with player pianos and multiplies it. This expansive new work was written for three computer-controlled disklavier pianos that Gann tuned to an intricate system of his own design, with the express goal to “reinvent tonality.” Gann treats the work not as a piano trio but a work for a single instrument with 243 keys. Hyperchromatica extends the possibilities of the piano well beyond the range of human possibility, utlizing complex polytempo and polymetric techniques that would be impossible for even the most virtuosic of players.

That’s not to say that Hyperchromatica is cold and mechanical. There are moments of frenetic chaos, to be sure, but Gann is focused on making microtonal music not accessible, but more “attractive and seductive.” Gann manipulates our suspension of disbelief, moving seamlessly from typically pianistic passages to figures almost too complex to comprehend. The strata of mictrotonal pitch and polytempo provides an unfamiliar lushness.

Hyperchromatica is a mammoth work, more than two years in the making. After years of working with a variety of microtonal tunings, Gann devised a tuning that provided him with enough heft to cover the piece’s two and half hours. By covering the gamut of styles and techniques, Gann has created a touchstone of microtonal music. The future is now, and Kyle Gann is leading is the way.

Kyle Gann (b. 1955 in Dallas, Texas) is a composer and was new-music critic for the Village Voice from 1986 to 2005. Since 1997 he has taught at Bard College. He is the author of seven books on American music, including books on Conlon Nancarrow, Robert Ashley, John Cage’s 4’33”, and Charles Ives’s Concord Sonata. He studied composition with Ben Johnston, Morton Feldman, and Peter Gena, and much of his music is microtonal. His major works include the piano concerto Sunken City, Transcendental Sonnets for chorus and orchestra, the microtonal music theater piece Custer and Sitting Bull and The Planets for mixed octet.

Editorial Reviews

Henry Miller defined “confusion” as “a word we have invented for an order which is not understood.” Fortunately, Hyperchromatica provides ample opportunity to home in on just such an order.  The Rehearsal Studio blog
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…music based on intervals other than those you can get from the 12 equally-spaced notes on the piano needn’t be problematic. It could even be beautiful… Gann’s Hyperchromatica may be as close to divine as we get.”  Theater Jones
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Track Listing

Hypochromatica (2015-2017)
by Kyle Gann
For three retuned, computer-driven pianos

Disk 1

  1.  Andromeda Memories (8:24)
  2.  Futility Row (8:53)
  3.  Orbital Resonance (11:33)
  4.  Pavane for a Dead Planet (9:10)
  5.  Star Dance (6:44)
  6.  Ride the Cosmos (6:22)
  7.  Dark Forces Signify (8:21)
  8.  The Lessing is Miracle (9:43)
  9.  Busted Grooves (7:16)

Disk 2

  1.  Rings of Saturn (13:33)
  2.  Pulsars (10:26)
  3.  Neptune Night (14:16)
  4.  Spacecat (4:28)
  5.  Reverse Gravity (5:58)
  6.  Romance Postmoderne (8:37)
  7.  Liquid Mechanisms (13:29)
  8.  Galactic Jamboree (7:18)

Total time: 155:42

Sample Tracks

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Composer-Critics Album cover