Since January 2005, Music From Other Minds has presented new and unusual music by innovative composers and performers from around the world. Produced weekly for KALW 91.7 FM San Franciscoย by Charles Amirkhanian and the Other Minds staff, and aired at 8pm every Sunday, Music From Other Minds aims to open up radio listeners to experimental classical work by living and recent composers. We bring you the latest in contemporary music from around the world, and some glimpses into the past, to give a context for today’s music.

Follow this link for information and track listings from programs prior to program 501.
Follow this link to download a complete list of works played on MfOM up to program 821.

Previous Programs

Program 827: Celebrating 35 Years of Experimental Music from Artifact Recordings

This program offers a brief survey of Artifact Recordings, an artist-run, non-profit organization supporting experimental and electronic music from the Bay Area for 35 years. Music by Chris Brown, John Bischoff, Tim Perkis, Philip Perkins, William Winant, Ron Heglin, Lorin Benedict, Tom Djll, Steve Adams, The HUB, and more.

Program 826: Respite

On this Music from Other Minds, Liam Herb provides a respite from all the chaos with a 1990 conversation between Sound Aritst Bill Fontana and Charles Amirkhanian, where they discuss his work with nature sounds. Also on the program, beautiful new recordings of vocal works by Jรผrg Frey and Chuck Johnson‘s longform Cyprus Suite for organ, reeds, pedal steel, and voice.

Program 825: Music from Groupe de Recherches Musicales

This program features music made by composers associated with the Groupe de Recherches Musicales (GRM)โ€”a French composition and research organization founded in the late 1950s by Pierre Schaeffer. Composers at GRM explore the compositional strategy of musique concrรจte, a proto-form of sampling wherein the composer, rather than writing notation for musicians to play, records so-called โ€œconcreteโ€ sounds onto tape and then edits these sounds. This program features Luc Ferrariโ€™s Presque rien, nยฐ 1, le lever du jour au bord de la mer (1967โ€“1970), Beatriz Ferreyraโ€™s Un fil invisible (2009), Christian Zanรฉsiโ€™s Stop! Lโ€™horizon (1983), and both parts of Bernard Parmegianiโ€™s De Natura Sonorum (1975).

Program 824: New Music Free-for-All

This program features a diverse sampling of new music, including Raven Chaconโ€™s Pulitzer Prize-winning piece Voiceless Mass and Biyรกn performed by Present Music, Alvin Curranโ€™s For Cornelius performed by pianist Eve Egoyan, Yi-Ting Luโ€™s Half Decorations performed by harpist Ben Melsky, Hannah Kendallโ€™s this is but an oration of loss and Erin Geeโ€™s Mouthpiece 36 performed by Ekmeles, and selections from Understories by Julia รšlehla and Dรกlava. Guitarist and composer Aram Bajakian joins the program to talk about his work with รšlehla on Understories.

Program 823: Riley, Farhadian, Smith, Iyer, Satoh

This program features Defiant Life, a new release by trumpet master Wadada Leo Smith and Vijay Iyer, keyboards and electronics. The music is thoughtful and penetrating, reflecting lifeโ€™s suffering and resilience. Iyer writes, โ€œThis recording session was conditioned by our ongoing sorrow and outrage over the past yearโ€™s cruelties, but also by our faith in human possibility.โ€ Also on the program, Terry Rileyโ€™s string quartet, Salome Dances for Peace, an excerpt from Thea Farhadianโ€™s Tattoos and Other Markings, and Somei Satohโ€™s Birds in Warped Time II.

Program 822: American Palimpsest

On this edition of Music from Other Minds, Blaine Todd presents Melville’s Marginalia by Susan Howe and David Grubbs, Roxy Gordon‘s An Open Letter to Illegal Aliens, Terry Allen‘s Dugout, and Philip Glass and Allen Ginsbergโ€™s Hydrogen Jukebox. Each piece is a testament to the power of place, the complexities of identity, and the ways in which borders and margins shape our understanding of history and culture.

Program 821: Sofia Gubaidulina In Memoriam

This program features the music of Sofia Gubaidulina, who died March 13, 2025 at her home in Appen, Germany. Gubaidulina was born October 24, 1931 in Chistopol, Tatar Autonomous Soviet Socialist Republic. Her works, which concern mysticism, spirituality, and religious themes, were disfavoured by the Soviet authorities, and she moved to Appen, Germany in 1992. This program is composed of five pieces by Gubaidulina written between 1965 and 1987: her Sonata for piano, De profundis for accordion, the violin concerto Offertorium, String Quartet No. 2, and Hommage ร  T. S. Eliot.

Program 820: Cat Hope and Iain Sinclair

This program begins and ends with references to Percy Grainger. Australian composer Cat Hope uses pitch tracking and spectral processing to realize Graingerโ€™s concept of Free Music, an idea inspired by watching waves on a lake. British writer and filmmaker Iain Sinclair, whose work is associated with psychogeography, reads his story โ€œDark Before Dark,โ€ about a mysterious box that appears on the beach, and should never be opened, while accompanied by the London Experimental Ensemble. The show opens with Hazel Scottโ€™s jazzy improvisation on Graingerโ€™s โ€œCountry Gardens.โ€

Program 819: Mid-Century Masterpieces

This program features mid-20th century American piano works and recordings by pianist Geoffrey Burleson in anticipation of Burlesonโ€™s From Antheil to Zappa recital in Oakland on Saturday, April 5, 2025. The program opens with an archival Ode to Gravity program from 1970 in which host Charles Amirkhanian plays keyboard works by Norman Dello Joio, Samuel Barber, Igor Stravinsky, and Harold Shapero. In the second half, weโ€™ll hear Geoffrey Burlesonโ€™s recordings of solo piano works by Vincent Persichetti and Roy Harris, along with Nathan Williamsonโ€™s recording of Leonard Bernsteinโ€™s 1938 Piano Sonata.

Program 818: Boulez in Studio at KPFA 1957

On this Music from Other Minds, Liam Herb presents a 1957 in-studio conversation between Pierre Boulez, Robert Erickson, Andrew Imbrie, Arnold Elston and Jack Holloway at KPFA, Berkeley. Also on the program, Boulez’ 1968 re-composition Livre pour Cordes, his 1993 work …explosante-fixe…, and Magnus Lindberg‘s 1995 Arenaย for orchestra. Tune in for this celebration of Boulez’s 100th birthday.

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