Latitudes 18

New York’s Ghost Ensemble fosters groundbreaking music that blurs borders of genre, style, and scene, expanding perceptual horizons through shared immersive experience. Ghost Ensemble’s May 18 performance at St John the Evangelist Episcopal Church in San Francisco, California presents new works commissioned for the 2022-23 season by composers Sky Macklay, Ben Richter, and Catherine Lamb. 

Sky Macklay’s Harmonifriends features two of the composer’s inflating “harmonitree” sculptures, which use vinyl, fans, and dozens of deconstructed harmonicas to create vibrating tree-shaped free-reed sound creatures. The ensemble interacts in sonic and kinetic counterpoint with the moving and sounding sculptures as they rise, sing, tremble, and fall in a visceral aural and visual experience that is whimsical yet intense. Ben Richter’s Rewild traces the fragile evolution of a shadow biosphere, stretching acoustic elements across perceptual thresholds to exotic orders of magnitude — the quantum foam susurrations of yoctomusic; the cosmological flux of yottamusic. The pulsing, breathing sonic ecosystem orients temporal perception toward global listening and virtuosic concentration in a sound-world of constant transformation that marks humanity’s fragile, transient, yet vital role within the immensity of geologic time. Catherine Lamb’s interius/exterius explores multi-dimensional harmonic space, investigating how collective intentions or focal points allow various and sometimes unusual pathways to emerge. As the group links together in phase, the greater web of activity aligns intention and desire within a community of musicians sounding together, the initiation of sound constantly shifting, unfolding new sonic dimensions. 

Critics have praised Ghost Ensemble performances as “prodigious … a thrilling listen” (Christian Carey, Sequenza21), “wonderful work … both exhilarating and a bit scary” (Peter Margasak, Bandcamp Daily), “beautifully performed and recorded … a body-felt sound mass … a multifaceted texture that evokes the primeval” (Meg Wilhoite, Sound Meets Sound), and “cloudy, mysterious, and dark … Beckettian in its slow spread … certainly a group to keep an eye on” (Brian Olewnick, Just Outside).

Ticketing for this event is Pay What You Can, with a suggested ticket price of $20 per person. No one will be turned away for lack of funds. If purchasing tickets for multiple people, you may do so in one transaction and your entire group will be admitted under the name given at time of purchase.

Ghost Ensemble’s concerts with premieres by Catherine Lamb, Sky Macklay, and Miya Masaoka are presented with the friendly support of the Ernst von Siemens Music Foundation.

Click the image below for a map to St John the Evangelist Episcopal Church, 1661 15th St, San Francisco, CA 94103.

Ghost Ensemble fosters groundbreaking music that blurs borders of genre, style, and scene, expanding perceptual horizons through shared immersive experience. Collaboration with living composers is its primary focus. Since its 2012 inception, the ensemble has performed over 100 works and commissioned 34 new compositions by a diverse range of highly original composers who share a belief in music’s potential for individual and community transformation. Rethinking the norms of composer/performer collaboration, Ghost Ensemble conducts innovative workshops to nurture adventurous new music over the course of multiple seasons. The resulting work often draws from contemporary classical, experimental chamber music, avant-garde jazz, environmental sound art, and territories in between. Critics have praised Ghost Ensemble performances as “prodigious … a thrilling listen” (Christian Carey, Sequenza21), “wonderful work … both exhilarating and a bit scary” (Peter Margasak, Bandcamp Daily), “beautifully performed and recorded … a body-felt sound mass … a multifaceted texture that evokes the primeval” (Meg Wilhoite, Sound Meets Sound), and “cloudy, mysterious, and dark … Beckettian in its slow spread … certainly a group to keep an eye on” (Brian Olewnick, Just Outside).

The music of Baltimore-based composer, oboist, and installation artist Sky Macklay is conceptual yet expressive, exploring extreme contrasts, surreal tonality, audible processes, humor, and the physicality of sound. Some of her pieces incorporate intermedia and extramusical narratives, addressing topics ranging from commuting times to the side effects of contraceptive and assisted reproductive technology. Sky Macklay is Ghost Ensemble’s founding oboist, a 2021 Guggenheim Fellow, and serves on the composition faculty of the Peabody Institute of the Johns Hopkins University.

Ben Richter is a composer, accordionist, and director of Ghost Ensemble. Inspired by nonhuman consciousness, emergent perceptual horizons, and the potential of the act of listening to create experiences of community healing, Ben’s immersive, gradually evolving compositions mark humanity’s transient yet vital role within the immensity of geologic time. A student of Pauline Oliveros, Ben also explores the extended microtonal and timbral potential of the accordion in solo works such as Panthalassa: Dream Music of the Once and Future Ocean, hailed as “likely to offer a profound impact on the very nature of listening” (Stephen Smoliar, The Rehearsal Studio).

Catherine Lamb is an active composer exploring the interaction of tone, summations of shapes and shadows, phenomenological expansions, the architecture of the liminal, and the long introduction form. She began her musical life early, later abandoning the conservatory in 2003 to study Hindustani music in Pune, India. She received her BFA in 2006 under James Tenney and Michael Pisaro at CalArts in Los Angeles, where she first developed her research into the interaction of tone. She mentored under the experimental filmmaker/Dhrupad musician Mani Kaul until his death in 2011. In 2012 she received her MFA in music/sound from the Milton Avery School of Fine Arts at Bard College in New York. She toured Shade/Gradient extensively and was awarded the Henry Cowell Research Fellowship to work with Eliane Radigue in Paris. In 2013 Lamb relocated to Berlin, Germany where she lives currently, and has written for ensembles such as the BBC Scottish Symphony Orchestra, Konzert Minimal, Dedalus, Ensemble neoN, the London Contemporary Orchestra, as well as the JACK Quartet, while collaborating regularly with Marc Sabat, Johnny Chang (Viola Torros), Bryan Eubanks, and Rebecca Lane. In 2019 she co-founded the collectively oriented Harmonic Space Orchestra. She is a 2020 recipient of the Ernst von Siemens Composer’s prize, a 2018 recipient of the Grants to Artists award from the Foundation for Contemporary Arts, a Staubach Fellow for the 2016 Darmstadt Summer course, and a 2016-2017 Schloss Solitude Fellow.