Other Minds Festival 25: Concert 4Tickets
April 5, 2020 @ 4:00 pm - 6:00 pm[$35 – $45]
April 5, 2020 @ 4:00 PM
Other Minds Festival 25: Moment’s Notice
Concert 4, April 5, 2020, 4PM @ Taube Atrium Theater
Concert 4, April 5, 2020, 4PM @ Taube Atrium Theater
Other Minds marks its milestone 25th festival with 4 nights honoring the art of improvisation, presenting an astonishing convergence of the world’s leading contributors to the history of creative music.
Running from April 2 through April 5 at the Taube Atrium Theater in San Francisco, Moment’s Notice will feature such lauded icons of spontaneous composition as Anthony Braxton, Roscoe Mitchell, William Parker and Wadada Leo Smith alongside trailblazing artists including Myra Melford, Darius Jones, Elliott Sharp, Mary Halvorson, and Jennifer Shyu.
Concert 4 Program
Mary Halvorson, guitar
Sylvie Courvoisier, piano
Elliot Sharp, 8-string guitar
Anthony Braxton, sax
Jacqueline Kerrod, harp
Concert 4 Bios
Recently announced as a 2019 MacArthur Genius Grant recipient, Mary Halvorson’s inimitable musicianship has taken the New York creative music scene by storm, reformulating and revolutionizing traditional conceptions of the electric guitar’s role in jazz and improvisation in ways that have rippled out across the world. A prolific composer and bandleader, Halvorsen leads neigh-innumerable ensembles featuring some of the world’s finest talents including Ches Smith, Jonathan Finlayson, Ingrid Laubrock, Susan Alcorn, Amirtha Kidambi, and Tomas Fujiwara. She’s also contributed inspiration and innovation in equal measure to ensembles in collaboration with Tim Berne, Anthony Braxton, Bill Frisell, Jason Moran, Jessica Pavone, Tomeka Reid, and John Zorn amongst countless others. In addition to her prestigious MacArthur fellowship, Halvorson has received considerable accolades from publications as diverse as JazzTimes, City Arts, Wall Street Journal, Rolling Stone, NPR, Village Voice, and DownBeat.
Sylvie Courvoisier‘s absolute mastery of the piano as an expressive, resonating body has propelled her to the forefront of New York’s creative music scene as one of its most versatile improvisers. Since her arrival in Brooklyn in 1998, she has appeared on more than 50 records (leading or co-leading in excess of 30) and has extensively toured the United States, Australia, Canada, Europe, and Japan with the likes of Kenny Wollesen, Drew Gress, Mark Feldman, Ikue Mori, Evan Parker, Tony Oxley, Joelle Leandre, Ellery Eskelin, Yusef Lateef, Ingrid Laubrock, and John Zorn. Universally acclaimed for her deep insight into the lofty architecture of sonic space, she has received awards from the Foundation for Contemporary Arts, Chamber Music America, and the New York Foundation for the Arts in addition to several honors from her birth-home, Switzerland.
Elliott Sharp is an iconic figure of New York City’s music and art scenes on account of his wide-reaching talents as a multi-instrumentalist, composer, performer, and bandleader. His uninhibited creativity on the guitar finds focus from his affinity for synthesis, as he incorporates concepts from mathematics and the hard-sciences into his compositional and improvisatory practice alike. He has worked with Radio-Sinfonie Frankfurt, Debbie Harry, Ensemble Modern, the Kronos String Quartet, Jack deJohnette, Oliver Lake, Sonny Sharrock;, and Christian Marclay amongst many others. His music, including scores and sound-design for feature films, documentaries, and television networks, has been honored by the Guggenheim Fellowship, the Parson’s Center for Transformative Media, and the prestigious Berlin Prize in Musical Composition.
One cannot overstate the enormity of the impact Anthony Braxton has had on the worlds of contemporary composition and creative musicianship at-large. A legendary AACM member and MacArthur genius grant recipient, Braxton’s work is a comprehensive, systematic exploration of the artistry of sound, focusing on “core principles of improvisation, structural navigation and ritual engagement – innovation, spirituality, and intellectual investigation.” His music is expressed in neigh-infinite variety, ranging from watershed solo-performances on woodwinds to the operatic epics of his Trilllium cycle. Distinguished as Professor Emeritus at Wesleyan University, Braxton’s honors include a Guggenheim Fellowship, the aforementioned MacArthur Fellowship, a Doris Duke Performing Artist Award, an NEA Jazz Master Award, and honorary doctorates from Université de Liège (Belgium) and New England Conservatory (USA).
Jacqueline Kerrod‘s mellifluous, exquisitely sensitive harp-playing has graced the stages of the world’s most vaunted venues, including Carnegie Hall, Radio City Music Hall, the Apollo Theater, SF MoMA, and the Royal Albert Hall. Her virtuosity is matched only by her versatility, making her a favored performer not only in the realm of written music (running the gamut from Mozart to contemporary works written for her) but in experimental improvisation circles as well. She frequently improvises with MacArthur Foundation award-winner Anthony Braxton, and her music has been featured in conferences and festivals all over the world, ranging from the American Harp Society National Conference in New York City to the Harare International Festival of the Arts in Zimbabwe.