Currently living in Connecticut, composer Ingram Marshall has lived and worked extensively in the San Francisco Bay Area. Educated at Lake Forest College, Columbia University, where he worked with Vladimir Ussachevsky, and California Institute of the Arts, where he worked with Morton Subotnick, Marshall went on to study gamelan music in Bali and Java in 1971. Over the next several years, Marshall further cultivated his interest in Indonesian music and continued the experimental work in electronic music.
Certain characteristics of Marshall's music, such as the slowed-down sense of time and use of melodic repetition, can be traced to his study of Indonesian music. These characteristics can be heard in his earlier works such as Fog Tropes and Gradual Requiem, as well as in his more recent Penitential Visions and Sinfonia Dolce far Niente.
Marshall has performed his own live electronic music in the U.S. and Europe, and has collaborated with various artists and choreographers including photographer Jim Bengston and choreographers Stuart Pimsler and Paula Josa-Jones. Marshall has been the recipient of awards, grants and commissions from the Rockefeller Foundation, the National Endowment for the Arts, the Fromm Foundation, California Arts Council, the Washington State Arts Commission and others.