

Photo © Nola Lopez |
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Annie Gosfield (born 1960,
in Philadelphia) is a composer based in New York City. She has led ensembles
performing her work at Lincoln Centers Alice Tully Hall as part
of the yearly Bang on a Can Festival, the Taktlos Festival in Zurich and
Basel, New Music Marathon in Prague, Festival Solo in Switzerland, and
three of the Knitting Factorys Radical New Jewish Culture
festivals curated by John Zorn. Ms. Gosfield studied piano with French
jazz pianist Bernard Peiffer and Horowitz student Alexander Fiorillo,
and studied composition at North Texas State University and the University
of Southern California. She has received grants and commissions from the
NEA, the Rockefeller Foundation, Meet the Composer, The Crosstown Ensemble,
the American Music Center, Arts International, The American Composers
Forum, The Siemens Corporation. The Djerassi Foundation, The Jerome Foundation,
and Harvestworks/Studio Pass.
Ms. Gosfields work
The Manufacture of Tangled Ivory was recorded by the Bang on a
Can All-Stars for Sony Classical, on their CD Cheating, Lying, Stealing,
premiered at Lincoln Center in New York, and performed at The Israel Festival,
The Adelaide Festival, Warsaw Autumn, and throughout Europe (1995-99).
Her own performance of The Manufacture... received honorary mention
at Prix Ars Electronica 97. Other performances include the premiere of
In Rides the Dust by Agon Orchestra at the New Music Marathon in
Prague (1996), premiered in the U.S. by Bang on a Cans Spit
Orchestra at the Kitchen, New York (1997). She was commissioned
by New Yorks Crosstown Ensemble and The American Composers Forum
to compose Lost Night, a work for chamber orchestra and sampler
premiered at New Yorks Tribeca Hall (1995). Brooklyn, October
5, 1941, for solo piano and baseballs, was composed in honor of the
100th anniversary of the unification of the five boroughs of New York,
and premiered at Lincoln Center in 1997, with subsequent performances
throughout the U.S., Europe, and South Africa by pianist Guy Livingston.
Gosfields recent Tzadik CD Burnt Ivory and Loose Wires, features
compositions for altered and detuned piano, recorded by Gosfield and her
ensemble during a residency at Harvestworks Studio, NYC. The CD also features
Brawl, a new work written for the Rova Saxophone Quartet. Upcoming
and recent projects include releases on New World and CRI; a Siemens Kultur
Programm Artists on Site award to create a work that combines
music and industry during a six-week residency in Nürnberg; a new
work for the Swedish chamber ensemble Pearls Before Swine
to be premiered at the ISCM World Music Days (2000); a commission for
the Harry Partch instruments from Newband; a video work commissioned by
The American Composers Forum; and a new work for string quartet and percussion
quartet, Flying
Sparks and Heavy Machinery, that was premiered at San Franciscos
Other Minds Festival in March, 2000. This work has been released on a
studio recording by the TDAZIK label. She continues to collaborate
with guitarist Roger Kleier, and leads her own ensemble performing her
own work throughout the U.S. and Europe, performing at international festivals
in 1999 including Musique Action Internationale (Nancy, France); Festival
Musique Actuelle (Victoriaville, Canada); and City of Women (Ljubljana,
Slovenia).
Gosfield has performed and/or collaborated with John Zorn, Elliott Sharp,
Nurit Tilles, The Rova Sax Quartet, Ikue Mori, David Moss, Marc Ribot,
Davey Williams, LaDonna Smith, and her long-time partner Roger Kleier.
She played in the tenth anniversary of John Zorns COBRA,
and has also performed his piece Xu Feng. Ms. Gosfield has been
involved in a wide variety of projects such as collaborating in the music
for Christopher Walkens HIM at the Public Theater in New
York; creating music for installations with artist Manuel Ocampo; and
performing in free improvisation ensembles. Annies work has been
featured on German radio (Sudwest Funk, Radio Free Kassel, and SFB Berlin),
and on U.S. radio in live performances for NPR and Pacifica stations.
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