| 1929 |
Solo for Oboe |
| 1930 |
Four Pieces for Two Flutes |
|
Trio for Strings for violin, viola, and cello |
| 1931 |
Four Polyphonic Piano Pieces |
| 1933 |
Four Songs for soprano and string quartet |
|
Divertimento for oboe, clarinet, bassoon, percussion, and
piano |
| 1937 |
Piece for Muted Strings (Elegiac Song) for string orchestra,
also arr. for flute and string orchestra |
|
Prelude for String
Quartet |
|
The Race of Life for piano and percussion; also arr. for
orchestra (1955) |
| 1938 |
The Passionate Shepherd to His Love and Her Reply for
women’s chorus |
|
Dance Suite for orchestra: 2232, 4221, timpani, percussion,
piano, harp, strings |
|
Opus 51 for piano and percussion |
| 1939 |
Four Lyric Pieces for Voice and Piano for contralto or mezzo
soprano and piano |
|
Sonatina for Oboe and Piano |
|
They Too Are Exiles for piano duet |
|
Tragic Exodus for baritone and piano |
| 1940 |
Four Elizabethan Songs for medium high or medium voice and
piano |
|
Suite in E Flat for piano |
|
Three Pieces for Violin and Piano |
| 1941 |
Five Preludes for piano |
|
Epigram and Epitaph: Upon the Death of Sir
Albert Morton’s Wife (1941) for contralto and piano |
| 1943 |
Rhapsody on a Russian Folk Song for
piano |
|
Songs of Our Time for medium high or
medium voice and piano |
| 1944 |
Concertante for Piano and Orchestra |
| 1946 |
Capriccio for Oboe and String Trio |
| 1947 |
The Great Wall of China for soprano,
flute, cello, and piano |
|
Second Solo for Oboe |
|
There is a Garden In Her Face for soprano,
flute, violin, cello, and piano |
| 1951 |
Divertimento for Violoncello and Percussion |
| 1952 |
Variations for Piano |
|
Sinfonia and Fugato for piano (from
Variations for Piano) |
|
Sonata for Violin and Piano |
| 1953 |
Variations for Harp |
|
Psalm 13 for women’s chorus, baritone
solo and piano or organ |
| 1956 |
A Guide to the Life Expectancy of a Rose for
soprano, tenor, and chamber ensemble (flute, violin, cello, clarinet,
and harp) |
| 1957 |
String Quartet |
| 1959 |
Valedictions for chorus, soprano, tenor,
and ten instruments |
| 1960 |
Alcestis for orchestra with piano and
harp |
| 1961 |
Duo for Flute and Viola |
|
Fantasy for Cello and Piano |
| 1962 |
Morning for mixed chorus, narrator,
and piano or organ |
| 1963 |
The Confession for soprano, flute, violin,
viola, cello, and piano |
| 1964 |
Melos for double bass |
|
Song of Persephone for Solo Viola |
|
Dreamscape for percussion ensemble,
3 flutes, cello, piano, and lawnmower |
| 1965 |
My Son, My Enemy for string quartet,
piano, and percussion |
|
Concertino for Piano and Percussion Ensemble for
piano, xylophone, vibraphone, marimba, 3 tom-toms, and timpani |
| 1966 |
Four Piano Pieces (1966) |
|
Chamber Concerto for Cello and Six Instruments for
solo cello, oboe, violin, viola, cello, double bass, and piano |
| 1967 |
Quintet for String Trio, Trumpet and Harp |
| 1969 |
Paean for brass ensemble (six trumpets,
six trombones), female chorus, and narrator (tenor) |
| 1971 |
Two Neruda Poems for mezzo-soprano and
piano |
|
Sounds of the Nightingale for soprano,
women’s chorus, and chamber orchestra |
| 1972 |
Concerto for Piano Strings and Percussion (One
Performer) |
|
Missa Brevis for Four Cellos and Taped Voice |
| 1973 |
The Flicker for flute |
| 1975 |
Teisho for eight solo singers or small
chorus and string quartet |
| 1976 |
Sonnets for Baritone and Orchestra |
|
Meeting for Equal Rights 1866, a Cantata
for Chorus, Orchestra, Mezzo Soprano, Baritone, and Narrator |
|
Romantic Ode for string orchestra with
solo violin, viola and cello |
|
The Nightingale for mezzo soprano, accompanying
herself on percussion |
| 1977 |
The Women in the Garden for five singers
and nine instruments (chamber opera) |
|
Three Buddhist Evocations for violin
and piano(a version of Teisho) |
| 1978 |
Quartet for Brass |
|
Momenti for piano |
| 1979 |
For a Bust of Eric Satie for soprano,
mezzo soprano, narrator, and chamber ensemble (flute, bassoon, trumpet,
trombone, cello, and
double bass) |
|
Nightingales-Motet for Six Instruments for
flute, oboe, violin, 2 violas, and double bass |
|
Lieder for Viola and Piano |
| 1980 |
Music for Flute, Oboe, and Cello |
|
Oda a las Ranas (1980) for women’s
chorus, flute, oboe, cello and percussion |
|
Trio for Violin, Cello and Piano (1980) |
| 1981 |
Gertrude and Virginia for soprano, mezzo
soprano, clarinet, piano, double bass, and percussion (2 players) |
| 1982 |
Drama for Orchestra 4*4*4*4*, 6421,
bass trombone (1), timpani, percussion(3), piano, harp, strings |
|
Double Variations for piano |
|
Toccatina for piano |
| 1983 |
Canticles for Jerusalem for mezzo- soprano
and piano |
| 1984 |
Ode to Henry Purcell for soprano and
string quartet |
|
Quintet for Oboe, Clarinet, Violin, Violoncello,
and Piano |
|
Poetic Fires for large orchestra |
| 1985 |
A Song for St. Cecilia’s Day for
chorus, string orchestra, and two trumpets |
|
Aegean Suite for piano |
| 1986 |
Inscriptions for two voices and piano |
|
Toccatas and Arias for Harpsichord |
|
Sonata for Violoncello and Piano |
| 1987 |
Ma’s In Orbit for violin, double-bass,
percussion, and piano |
|
Emily’s Images for flute and piano |
|
Dancing Winds for woodwind quintet (flute,
oboe, clarinet, horn, bassoon) |
|
In Memoriam: George Finckel for four
cellos or multiples thereof |
|
Light in Spring Poplars for mixed chorus,
soprano, viola, and piano |
|
Toccatas and Arias for Piano |
|
After the Tradition (1987) for orchestra
2*2*22*, 2110, timpani, percussion (1), strings |
|
The Human Mind (1987) for voice and
piano |
| 1988 |
The Garden of Live Flowers for soprano,
tenor, baritone, and piano |
|
Five Victorian Songs for soprano, flute,
clarinet, viola, and cello |
|
L’Ecole des Hautes Etudes for
piano, clarinet, bass, percussion |
|
Asphodel for soprano, flute, clarinet,
violin, viola, cello, percussion, and piano |
|
The Triple Goddess (1988) for concert
band |
| 1989 |
Discourse of Goatherds for bass or tenor
trombone |
|
Madrigali Spirituali for trumpet and
string quartet |
|
Songs and Arias for French horn, violin,
and cello |
| 1990 |
Portal for violin and piano |
| 1991 |
Songs of Love and War for soprano and
chamber ensemble (violin, oboe, bassoon, percussion, and piano) |
|
Canciones y Danzas for guitar, flute,
and cello |
|
Hymns for two pianos, French horn, and
violoncello |
|
Four Victorian Songs for piano and voice
(arrangement of Five Victorian Songs) |
| 1993 |
Canticles from the Other Side of the River for
violin, cello, flute, clarinet, percussion, and piano |
| 1994 |
Memoirs of Uliana Rooney for
soprano, two baritones, two female voices as chorus, and chamber ensemble
(flute,
clarinet, violin, cello,
double bass, piano, and percussion) (chamber opera) |
